An Analysis of Robert Frosts Once by the Pacific Essays -- Once by th

An Analysis of Robert covers at one time by the Pacific Most readers are familiar with the poetry of Robert Frost, but they may not be familiar with his song Once by the Pacific. This metrical composition stands out from most of his popular poems, which frequently relate to rural unfermented England life. Many critics have thus commented that his works are too simple. Once by the Pacific, however, seems to altercate this opinion, as it is one of Frosts more difficult poems to interpret. Although this poem also is connected with nature, the theme is more universal in that it could be related to Armageddon, or the end of the world. Even though this theme may seem simple, it is really complex because we do not know how Frost could possibly relate to the events leading to the end of the world. It is an uncertain and sometimes polemic topic, and even if everyone was certain it was coming, we do not know exactly how it willing occur and when. Therefore, how did Fro st envision this event? Is he portraying it in a ghostly context, a naturalistic one, or both? The shoemakers last line (14) speaks of graven image putting out the light, which brings out a religious reference, but the bulk of the poem chain reactors with nature entirely. Physical images of water, clouds, continents, and cliffs present a much more complex setting than the simple setting in Stopping by Woods on a Snowy flush or the yellow wood in The Road Not Taken. As a misty rain settles on the waters, all the waves have the attentive to pound the earth with destructive forces, and it seems as though Frost personifies these waves. For example, the waves estimation of doing something to the shore / That water never did to land before. Is Frost portraying beau ideal as in control of t... ...wn. In this poem, Frost challenges this doubt with his matter of course of these future events. Although Frost lays out an ultimatum of these events to come, it is up to th e reader to come to his have resolution to these images. This is why Frost paints this intense picture by the waters-to challenge the reader in a natural setting as to how to deal with it. As James Guimond stated in the anthology, he assumed the unaccompanied individual could question and work out his or her aver relationships to God and existence-preferably in a natural setting and with a few discrete references to Christianity and Transcendentalism (1147). Therefore, it can be interpreted that Frost intended to give-up the ghost nature with religion in these images. The confusion the reader deals with is matched by his own epiphany in dealing with the experience, and the result is a balance between the two.